Showing posts with label Kitty's Back. Show all posts
Showing posts with label Kitty's Back. Show all posts

Monday, April 17, 2017

More Springsteen Sound-a-Likes!

On this blog, we've covered artists who have tried to ape Springsteen, as well as the songs and artists that have influenced Springsteen.  So, for this random post to keep the blog alive during this gorgeous spring, here's a few more songs that seem heavily influenced by the Boss.

Thin Lizzy - "The Boys Are Back In Town" (Springsteen - "Kitty's Back")





This one doesn't seem that blatant to me, but I've have seen it cited as a rip-off on numerous Springsteen forums, so I'll toss it in here just to be thorough.  While "Kitty's Back" is a sprawling epic, it has a dramatic build-and-release leading to Kitty being back in town (4:55 to 5:18).  This small section seems to have influenced the good folks of Thin Lizzy, as they were able to transform it into the hook of their their signature song.

Pink Floyd - "Lost For Words" (Springsteen - "Independence Day")





While I think the prior entry is a bit of a stretch, this is a slam dunk.  This song is from Floyd's The Division Bell, and the band was pretty long in the tooth, so I'm not going to hold this against them.  After producing 30+ years of progressive and experimental music, who can fault them for looking to Bruce for some inspiration?

Best Coast - "Boyfriend" (Springsteen - "Badlands")





OK, here we're just talking about two seconds of the drum opening.  I always feel duped every time "Boyfriend" comes up on my iPod.  But when I first noticed this, it did make me sit up and take notice of how great that opening two seconds of "Badlands" is - perhaps being the second most iconic Springsteen drum opening of all time (behind "Born To Run", obviously).

Now, this article isn't to knock any artists - I believe the three listed above are great musicians, and don't think any of them purposefully set out to "steal" from Springsteen.  We're here to appreciate Springsteen, as well as the (direct or incidental) influence he's made on others.  So, have you noticed any other songs similar to Springsteen songs (or vice versa)?  Any other Springsteen drum intros you love?  Let us know in the comments!

Friday, April 11, 2014

Concert Review - The E Street Band, Rock And Roll Hall of Fame Induction


Last night, I was fortunate enough to make it out to the Barclays Center to witness the legendary E Street Band get inducted into the Rock and Roll Hall of Fame.  It was a ceremony honoring a wide arrange of musicians: from Cat Stevens to KISS, from Hall and Oates to Nirvana.  This eclectic group brought with them an equally diverse set of fans to Brooklyn; however, the loudest cheers of the night were easily in favor of the mighty E Street Band.

From the start of the show, over two hours had passed, as several musicians were honored and performed their various hits.  Like many award shows, the Rock and Roll Hall of Fame Induction Ceremony was plagued by long speeches in between the performances, and, after a medley of Linda Ronstadt songs, the energy in the arena was starting to fade.  Then, at roughly 9:30PM, the video tribute to the E Street Band started to play, and the crowd jolted right back up.


Bruce made a short speech honoring the band, summing up how each member joined, what their contributions were, and how each individual's presence made the entire group stronger.  Bruce's speech was not marked with his trademark humor (save for a short aside about meeting Clarence); his words were marked with both pride, for the honor being bestowed on his friends, and regret, for the times he had let them down.  His main point was that a good band accomplishes things that no individual in the group could have accomplished alone, and the results clearly prove his point (Note: click here to read the entire transcript of Bruce's speech).

What followed were a series of acceptance speeches from all members being inducted: David Sancious, Vini Lopez, Garry Tallent, Roy Bittan, Nils Lofgren, Max Weinberg, Patti Scialfa, Steven Van Zandt, and family members honoring Danny Federici and Clarence Clemons (Federici's son and Clemons's most recent wife).  While I believe all the members should get their moment to speak their mind, hearing 11 speeches in a row got tiring, as the audience was itching for the performance to begin.  Perhaps the best strategy would have been to do a couple speeches, then play a song to break it up.  Sancious, Lopez, and Clemons's wife were perhaps the longest, as they probably do not often get the chance to deliver a speech.  Little Stevie kept his short and sweet, and was the most charming of them all (not only does he thank Bruce for getting ridiculously better each year, but he also thanks his wife for doing the same).  The speeches conclude roughly 25-30 minutes after the beginning introduction, and it is finally showtime.

The opening number is so obvious that I cannot believe I was surprised by it: "The E Street Shuffle".  The band immediately gets into full swing, spotlighted by Vini Lopez and Max Weinberg smiling and playfully battling on the drums.  The energy of the band is so strong that Bruce actually seemed exhausted after one song!  It was followed up by "The River", which was an odd choice: it is more somber, and doesn't quite feature the E Street Band as much (in fact, the camera stayed mostly on Bruce's face throughout the performance).  Personally, I think "Tenth Avenue Freeze Out" would have been better for the occasion.  However, the band managed to top "The E Street Shuffle" with their final song: "Kitty's Back".  Normally, when listening to the album versions, I'd prefer "E Street Shuffle", however, that night, "Kitty's Back" blew me away.  I was highly impressed with David Sancious's organ playing, as this was the first time I'd seen him perform with the band.  "Kitty's Back" ended up being perfect for the occasion.  The band was proving Bruce's thesis, working together perfectly to create a fantastic moment.

The set lasted roughly 20 minutes, and, with that, the E Street Band were officially Hall of Famers.  They were immediately followed by Hall and Oates, who had technically difficulties when beginning their set, joking that Bruce has broken all the monitors.  Given both the time constraints and the format, the E Street Band did a solid job this night, and hopefully won over some KISS fans in the process.

Tuesday, April 10, 2012

Concert Review - Madison Square Garden, NYC April 6

There’s an old joke that goes: “Sex is like pizza. When it’s good it’s great, but when it’s bad…it’s still pretty good.” The same goes for Bruce Springsteen concerts. After listening to the concert at the Apollo Theatre on Sirius XM, I was left feeling slightly under whelmed. Don’t get me wrong, Bruce sounded good, and I’m sure if I was there I would have had a blast. But I remember saying “that’s it?“ when the show ended. I just chalked it up to the fact that listening to Bruce on the radio isn’t the same as being there live. It was my own fault for setting my standards too high.

But prior to that my last Bruce concert was the final concert of Working On A Dream Tour on November 22nd, 2009 at The HSBC Arena in Buffalo, NY. That night Bruce played for 3 ½ hours. It was a stellar show, and quite frankly if that was the last Springsteen concert (as many had speculated it might be), it would have been a great end to his phenomenal career. The Apollo Theatre show couldn’t compare to that. But it was still a lot of fun to listen to.

Then on last Tuesday night I saw Bruce at the Izod Center. I think Steve's review was pretty accurate.  Again, it’s not that the show was bad, far from it. But I just left that show desiring something more. I was envious of some of the friends I was with, who were seeing Bruce for the first time. They raved about the setlist, Bruce’s incredible energy and just the overall performance. I remembered feeling that way, I had felt that way about almost every other Bruce concert I had been to.

But finally, last Friday I had, as U2 once so wonderfully put it, “found what I was looking for.” Seeing Bruce Springsteen, at New York’s famous Madison Square Garden, was incredible. Right from the beginning I knew this show would be different. Bruce opened the show with “Badlands” as opposed to every other show where he opened with “We Take Care of Our Own”. The first 3 songs he played at the Izod show and MSG show were exactly the same but just the little difference of changing the order he played them in made all the difference. And that’s when I realized what made Bruce the best live performer I’ve ever seen. He constantly is changing things up, evolving mid-tour(sometimes even mid-show) to make sure his concerts never gets stale. No 2 audiences are exactly alike, so no 2 audiences should get the exact same show. Bruce pulled out all the stops, with rare songs that I hadn’t heard live before, like "Lion's Den", and other rarities like "Murder, Inc." and "Lonesome Day".  And the night kept rocking with an incredible 20+ minute jamming version of “Kitty’s Back” that nearly blew the roof off of MSG.  Normally I'm not a huge fan of this song but Bruce was definitely feeling it that night and so was everyone else in "The World's Most Famous Arena."

I even contemplated going to see Bruce last night for his 2nd show at MSG but couldn't justify spending the prices that StubHub was charging.  But when I saw the setlist of that show I was kicking myself.  $300 for nosebleed seats is a lot, but not when he's busting out "Thundercrack" and "Rosalita" in the same show!  I'm kicking myself for missing that one.

I am anxiously awaiting May 2nd, to see Bruce at the Prudential Center in Newark, NJ. And if the rumors are true that Bruce will be doing a stadium tour towards the end of this summer and into the fall, you better believe I’ll be snatching up tickets to that. I suggest you do the same.