Showing posts with label Raymond Carver. Show all posts
Showing posts with label Raymond Carver. Show all posts

Friday, June 6, 2014

Song Spotlight - "Darlington County"


Key Live Performance



This is one performance I am very excited to say that I saw first-hand. I remember observing the audience’s enthusiasm for this song and feeling like I was witnessing a resurgence in appreciation for the Born in the U.S.A. album. At a Springsteen concert, you’ll frequently see the audience become jubilant when a less frequently heard track from Born to Run or Darkness on the Edge of Town is dealt out. For a while, it felt much more rare for a Born in the U.S.A. b-side to make it into the rotation.

What makes this performance for me is the parade of girls in pink hats that take the stage around the four-minute mark. The girls coming on stage always feels like the natural materialization of the song narrator’s horn dog agenda. I’m always amazed that when fans get pulled on stage, and they some how have a general sense of how to behave and how to dance.

Key Lyrics

“We drove down from New York City
Where the girls are pretty but they just want to know your name”

I’ve previously compared this song to a Raymond Carver short story (http://www.legendsofspringsteen.com/2013/04/lyrics-spotlight-darlington-county.html), and that’s what I love so much about the song - the lascivious undercurrent and the sinister sting at the end (Wayne being handcuffed while the narrator drives away).

Overall

I consider “Darlington County” the hidden gem on Born in the U.S.A. There is so much of this song to enjoy, and so many layers to the story it tells.

Tuesday, April 9, 2013

Lyrics Spotlight - Darlington County


“Driving out of Darlington County,
Seen Wayne handcuffed to the bumper of a state trooper's Ford”
- Darlington County, Born in the U.S.A.

I have been reading a lot of Raymond Carver’s short stories lately and I feel that “Darling County” bears strong similarities to a Carver story. Carver’s writing style is brusque and to the point but paradoxically full of vivid detail. Many of the stories have an unexpected turn or twist in the end that reveals the ugly side of human behavior without rationalizing or explaining it.

This description seems like a natural connection to the Nebraska album but I actually think “Darlington County” is the closest in style to a Carver short story. The song begins happily enough with its tale of youthful abandon and the seemingly wide-open possibilities in front of the lead characters. As it progresses, the intentions of the characters appear more lascivious and less innocent. In the final line, the narrator drives out of Darlington County with the image of his buddy handcuffed to a cop car in his rear view mirror. We don't know what happened or why it happened but much like you find in a Carver story, something serious happened and it can't be explained, but it can be interpreted.